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Student Filmmaker Tackles Difficult Subjects in Feature Debut

Student Filmmaker Tackles Difficult Subjects in Feature Debut

Henry Spritz ’23 has been making movies since middle school. His most recent project explores themes that are depressingly familiar to many who have grown up in small-town America.

For many years I had wanted to make a movie that touches on the opioid epidemic, particularly here in Maine, where I have lived my whole life,” said Spritz, who grew up in Portland and Belfast. “Initially I didn’t know how that project would take shape, but I knew I would have to approach it with the utmost care. As a freshman two years ago, I finally felt I was in a place where I had a story, a longer-form project that I could start working on.”

The film’s other major theme, said Spritz, is something that many people growing up in places like Maine will be familiar with—the love-hate dynamic you have with the place you’re from. “

Maine’s small but vibrant creative economy also means there are many networking opportunities for young artists like Spritz. Throughout his short career, he said, he has had the opportunity to connect with the filmmaking community across the entire state. “There’s such freedom to create here if you have the passion and the commitment.

"We have been fortunate to have made two movies in Maine — The Way We Get By and Beneath The Harvest Sky.” Maine is a very special state in that there are so many options for locations. Given its size, you can travel to northern Maine, southern Maine, all along the coast, and tell a number of different stories in totally unique worlds with each film having very distinctive looks. The abundance of locations combined with the incredible generosity of the people and communities, make filmmaking in Maine a pure joy. We would not be filmmakers today without the support from the people of Maine and we will be forever grateful."

- Gita Pullapilly and Aron Gaudet, The Way We Get By and Beneath the Harvest Sky

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"Filming in Maine was a dream, simply because of the people. We came to Maine and found enthusiasm and friendliness. People wanted to help out any way they could and were excited to be a part of something. That sort of thing doesn’t happen in Los Angeles or New York or even Georgia. It’s really beautiful for people to come together to support a large artistic project like this."

- James Khanlarian, Director, The Ghost Trap

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EMAIL  film@maine.gov

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