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As the TV Drama Bubble Bursts, Producers Look to Indie Film for New Models

As the TV Drama Bubble Bursts, Producers Look to Indie Film for New Models

With the era of easy money long gone, producers are looking to co-production, financing and distribution models pioneered by the independent film industry.

The bubble — that surge of cash that over the past decades helped bankroll an unprecedented boom in TV drama production — appears to have burst. TV producers, gathered in Cannes this week for the MIPTV international television market, are pondering a future in which the cost of TV drama continues to spike while the primary sources of financing, namely broadcasters and online streamers, are slashing their commissioning budgets.

"We have been fortunate to have made two movies in Maine — The Way We Get By and Beneath The Harvest Sky.” Maine is a very special state in that there are so many options for locations. Given its size, you can travel to northern Maine, southern Maine, all along the coast, and tell a number of different stories in totally unique worlds with each film having very distinctive looks. The abundance of locations combined with the incredible generosity of the people and communities, make filmmaking in Maine a pure joy. We would not be filmmakers today without the support from the people of Maine and we will be forever grateful."

- Gita Pullapilly and Aron Gaudet, The Way We Get By and Beneath the Harvest Sky

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"Filming in Maine was a dream, simply because of the people. We came to Maine and found enthusiasm and friendliness. People wanted to help out any way they could and were excited to be a part of something. That sort of thing doesn’t happen in Los Angeles or New York or even Georgia. It’s really beautiful for people to come together to support a large artistic project like this."

- James Khanlarian, Director, The Ghost Trap

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