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Productions Embrace LED Walls as Necessary in Pandemic Times

Productions Embrace LED Walls as Necessary in Pandemic Times

Move over green screens, LED walls are here.

When the pandemic hit, productions scrambled to figure out logistics in the new normal. That’s when studios turned to an emerging aspect of virtual production: digital immersive environments capturing real-world settings (including lighting) rendered in real time using game engines such as Unreal. They are then projected onto LED walls made up of hundreds of high-def displays that serve as interactive backdrops for actors — like a green screen, but much more sophisticated.

"We have been fortunate to have made two movies in Maine — The Way We Get By and Beneath The Harvest Sky.” Maine is a very special state in that there are so many options for locations. Given its size, you can travel to northern Maine, southern Maine, all along the coast, and tell a number of different stories in totally unique worlds with each film having very distinctive looks. The abundance of locations combined with the incredible generosity of the people and communities, make filmmaking in Maine a pure joy. We would not be filmmakers today without the support from the people of Maine and we will be forever grateful."

- Gita Pullapilly and Aron Gaudet, The Way We Get By and Beneath the Harvest Sky

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