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Film and TV production is stressful. Some sets are turning to therapy

Film and TV production is stressful. Some sets are turning to therapy

Regardless of the subject matter, film and TV sets can be stressful and dangerous places to work. The pandemic added a raft of anxieties as cast and crews returned to work to face rigorous safety protocols such as testing, masking and social distancing. The streaming boom put more pressure on film workers as production of new shows spiked and crew worked longer hours to keep up with demand, fueling burnout and rising labor tensions. As a result, more producers are considering offering therapy services, both on set and virtually, to help film workers cope with on-the-job stress.

"We have been fortunate to have made two movies in Maine — The Way We Get By and Beneath The Harvest Sky.” Maine is a very special state in that there are so many options for locations. Given its size, you can travel to northern Maine, southern Maine, all along the coast, and tell a number of different stories in totally unique worlds with each film having very distinctive looks. The abundance of locations combined with the incredible generosity of the people and communities, make filmmaking in Maine a pure joy. We would not be filmmakers today without the support from the people of Maine and we will be forever grateful."

- Gita Pullapilly and Aron Gaudet, The Way We Get By and Beneath the Harvest Sky

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